Art Basel Hong Kong welcomed 86,000 visitors

Art Basel concludes a resonant 2023 edition in Hong Kong amid reports of vigorous sales and strong attendance, attesting to the continued reinvigoration of Hong Kong’s cultural scene and its pivotal role as the gateway to the Asian art market. The largest edition since 2019, the fair attracted an international attendance of 86,000 across the five show days.

Art Basel concluded the 2023 edition of its Hong Kong show, which was marked by brisk sales throughout the week and across all levels of the market, and a celebration of its ten year anniversary in the city and its ever-flourishing arts scene. Staged across two floors of the HKCEC for the first time since 2019, the show brought together 177 galleries from across the world – a significant increase from 130 galleries in 2022 – and saw the return of all special sectors, including Encounters, Film, Kabinett, and Conversations. 42 galleries rejoined the fair following a hiatus during the pandemic, while 22 galleries made their debut at the fair. For the first time, Encounters extended beyond the show floor, showcasing a large-scale inflatable sculpture of King Tut by Awol Erizku in Hong Kong’s Pacific Place.

Leading private collectors from 70 countries and territories attended the fair and explored the city’s diverse cultural offerings, as did museum directors, curators, and patrons from over 100 international museums and institutions.

‘Once again, Hong Kong demonstrated its uncontested position as the leading art market hub in Asia and its critical importance within the global trade.’

Noah Horowitz, CEO Art Basel

Deepening its commitment to showcase the breadth of exceptional art from across Asia and the Asia Pacific, the fair featured over two-thirds of participating galleries with exhibition spaces in the region, including 33 galleries having exhibition spaces in Hong Kong. Galleries from mainland China, Japan, South Korea, and Taiwan continued to have a strong presence at the show, while galleries from India and Southeast Asia also presented compelling booths that attracted fair visitors.

Beyond the HKCEC, Hong Kong residents and international visitors enjoyed Pipilotti Rist’s site-specific moving image work ‘Hand Me Your Trust’ projected on the façade of M+, commissioned by M+ and supported by Art Basel and UBS. The façade was set within the undulating architectures of Hong Kong’s world-famous skyline along Victoria Harbour and incorporated Rist’s typically vivid color palettes and freeform camera work, echoing the dynamic shifts of scale of Hong Kong’s urban landscape.

‘The excitement and energy in the halls – and across the city – were extraordinary,’

Angelle SiyangLe, Director, Art Basel Hong Kong

‘This was our first show since Hong Kong lifted all pandemic measures, and the excitement and energy in the halls – and across the city – were extraordinary,’ says Angelle SiyangLe, Director, Art Basel Hong Kong. ‘We are truly grateful for the commitment of our galleries and the art community here in Hong Kong, which has wholeheartedly pulled out all the stops to offer visitors a vibrant cultural program, morning to night and all week long. More than ever before, our show reinforces its pivotal role in the region, uniquely bridging the arts scenes across Asia and beyond.’

‘This week marked Hong Kong’s grand reopening after three years of pandemic-related challenges, with our show reaffirming its position as the apex cultural moment in the region,’ says Noah Horowitz, CEO, Art Basel. ‘Collectors from Hong Kong, mainland China, across Asia, and further afield came out in force, and it is truly exciting to witness the extraordinary growth and vitality of the local art scene, bolstered by a new generation of collectors and the opening of world-class institutions. Once again, Hong Kong demonstrated its uncontested position as the leading art market hub in Asia and its critical importance within the global trade.’